A Framework for Personalization of Interactive sound synthesis

Instruments like the piano or guitar have a long tradition in many cultures such that non-musicians who encounter them understand that the piano keys can be pressed and the guitar strings can be plucked. Users of computer-based sound synthesis tools must use parameter names and interface feedback to develop a model of the available sound space of the instrument. Not all users may attribute the same weight to the parameters used by the tool designer. Given the opportunity, users may group parameters together or wish to use entirely different conceptual models. Currently, the user is forced to adhere to the cognitive model of the available musical space developed by the instrument designer. Alternatively, if the user is allowed to develop a personalized view of the available sound space, the interaction will be more natural to the user and fit better with the user’s cognitive model.